Remember when Rian Johnson was set to helm an entirely new Star Wars trilogy? The Glass Onion director recently reflected on these unrealized projects, revealing they remained "largely conceptual" – he never progressed beyond preliminary discussions to develop formal outlines or treatments.
"The collaboration ultimately led nowhere concrete," Johnson told Rolling Stone. "We enjoyed brainstorming together when Lucasfilm proposed continuing our partnership. Naturally, I agreed enthusiastically and periodically exchanged ideas with Kathleen Kennedy."
"Ultimately Knives Out became my creative priority," Johnson explained. "The success of that franchise kept me immersed in crafting murder mysteries. While I'd welcome future opportunities to explore Star Wars, currently I'm wholly dedicated to original projects."
The Path Not Taken
Originally contracted for a trilogy after The Last Jedi, Johnson's trajectory shifted dramatically when Knives Out emerged as his defining project. The indie murder mystery success unexpectedly redirected his career away from galaxy-spanning epics toward contemporary whodunits.
During earlier discussions about potentially resuming Star Wars work in 2022, Johnson revealed nuanced perspective: "While nobody's world would end without my return, personally I'd feel that loss deeply," he told Variety. "The unique connection with passionate Star Wars fans creates an irreplaceable creative experience."
Reflecting on Fan Reactions
Johnson also addressed the divisive reception to The Last Jedi, drawing parallels between contemporary criticisms and his own youthful skepticism toward the Prequels. "Experiencing both sides of these discussions ultimately brought valuable perspective," he reflected.
With seven years elapsed since directing The Last Jedi and Wake Up Dead Man scheduled for December release, Johnson's renewed Star Wars involvement seems increasingly unlikely – especially considering Lucasfilm's packed theatrical slate extending through 2027. For now, this auteur appears firmly committed to keeping his directorial talents grounded on Earth-bound mysteries rather than space operas.
